Far from being a static or eroding cultural inheritance from the past, the supernatural has continually been appropriated and updated to accommodate and express social, cultural, economic and environmental anxieties. SHORTLISTED for the 2020 Katharine Briggs Award. Since the Enlightenment, supernatural beliefs and practices have largely been derided as ignorant and un-modern - even anti-modern - and cities, being the ultimate symbol of progress and rationality, have not been thought to harbour magic. Scholars have long assumed that the world of the supernatural withered under the impact of urbanisation; yet, as numerous books, films and T.V. series from Hellboy to Being Human to the Harry Potterfranchise show, contemporary culture remains fascinated by urban-based legends and fantasy. This collection seeks to spur interest in the urban supernatural and argues for its prevalence, importance and vitality by presenting a rich cultural history of the complex relationship between supernatural beliefs and practices, imagination and storytelling, and urbanisation. Grouped around themes of enchantment, anxiety and spectrality, it explores urban supernatural cultures on five continents between the late eighteenth century and the present day. The book advances a ground-breaking exploration of the communal and cultural function of urban supernatural ideas, demonstrating howthey have continually been appropriated and updated to express and accommodate socio-cultural, economic and environmental anxieties and needs. Drawing together a diverse range of academic approaches, with contributions from historians, geographers, anthropologists, folklorists and literary scholars, it makes an important contribution to our understanding of how urban environments, both past and present, inform our imaginations, cultural insecurities and spatial fears. KARL BELL is Reader in Cultural and Social History at the University of Portsmouth. CONTRIBUTORS: Karl Bell, Oliver Betts, Alex Bevan, Tracy Fahey, Deirdre Flynn, Maria del Pilar Blanco, William Pooley, Elena Pryamikova, David J. Puglia, William Redwood, Morag Rose, Alevtina Solovyova, Tom Sykes, Natalya Veselkova, Mikhail Vandyshev, David Waldron, Sharn Waldron, Felicity Wood

Highlighting the relationship among science, politics, and culture in Latin American history Challenging the common view that Latin America has lagged behind Europe and North America in the global history of science, this volume reveals that the region has long been a center for scientific innovation and imagination. It highlights the important relationship among science, politics, and culture in Latin American history. Scholars from a variety of fields including literature, sociology, and geography bring to light many of the cultural exchanges that have produced and spread scientific knowledge from the early colonial period to the present day. Among many topics, these essays describe ideas on health and anatomy in a medical text from sixteenth-century Mexico, how fossil discoveries in Patagonia inspired new interpretations of the South American landscape, and how Argentinian physicist Rolando Garcia influenced climate change research and the field of epistemology. Through its interdisciplinary approach, Geopolitics, Culture, and the Scientific Imaginary in Latin America shows that such scientific advancements fueled a series of visionary utopian projects throughout the region, as countries grappling with the legacy of colonialism sought to modernize and to build national and regional identities.

The Spectralities Reader is the first volume to collect the rich scholarship produced in the wake of the "spectral turn" of the early 1990s, which saw ghosts and haunting conjured as compelling analytical and methodological tools across the humanities and social sciences. Surveying the past twenty years from an interdisciplinary and cross-cultural perspective, the Reader displays the wide range of concerns spectrality, in its diverse elaborations, has been called upon to elucidate. The disjunctions produced by globalization, the ungraspable quality of modern media, the convolutions of subject formation (in terms of gender, race, and sexuality), the elusiveness of spaces and places, and the lingering presences and absences of memory and history have all been reconceived by way of the spectral. A primer for the wide readership engaged with cultural interpretations of ghosts and haunting that go beyond the confines of the fictional and supernatural, The Spectralities Reader includes twenty-five groundbreaking texts by prominent contemporary thinkers, from Jacques Derrida and Gayatri Spivak to Avery Gordon and Arjun Appadurai, as well as a general introduction and six section introductions by the editors.

Haunting has long been a compelling element in popular culture, and has become an influential category in academic engagements with politics, economics, and aesthetics. While recent scholarship has used psychoanalysis and the Gothic as frameworks with which to study haunting, this volume seeks to situate ghosts in the cultural imagination. The chapters in Popular Ghosts are united by the impulse to theorize the cultural work that ghosts do within the trans-historical contexts that comprise our understanding of everyday life. These authors study the theoretical and aesthetic genealogies of the spectral, while also commenting on the multiple everyday spaces that this category occupies. Rather than looking to a single tradition or medium, the essays in PopularGhosts explore film, novels, photography, television, music, social practices, and political structures from different cultures to reopen the questions that surround our haunted sense of the everyday.

Haunting has long been a compelling element in popular culture, and has become an influential category in academic engagements with politics, economics, and aesthetics. While recent scholarship has used psychoanalysis and the Gothic as frameworks with which to study haunting, this volume seeks to situate ghosts in the cultural imagination. The chapters in Popular Ghosts are united by the impulse to theorize the cultural work that ghosts do within the trans-historical contexts that comprise our understanding of everyday life. These authors study the theoretical and aesthetic genealogies of the spectral, while also commenting on the multiple everyday spaces that this category occupies. Rather than looking to a single tradition or medium, the essays in PopularGhosts explore film, novels, photography, television, music, social practices, and political structures from different cultures to reopen the questions that surround our haunted sense of the everyday.

Challenging the common view that Latin America has lagged behind Europe and North America in the global history of science, this volume reveals that the region has long been a center for scientific innovation and imagination. It highlights the important relationship among science, politics, and culture in Latin American history. Scholars from a variety of fields including literature, sociology, and geography bring to light many of the cultural exchanges that have produced and spread scientific knowledge from the early colonial period to the present day. Among many topics, these essays describe ideas on health and anatomy in a medical text from sixteenth-century Mexico, how fossil discoveries in Patagonia inspired new interpretations of the South American landscape, and how Argentinian physicist Rolando Garcia influenced climate change research and the field of epistemology.Through its interdisciplinary approach, Geopolitics, Culture, and the Scientific Imaginary in Latin America shows that such scientific advancements fueled a series of visionary utopian projects throughout the region, as countries grappling with the legacy of colonialism sought to modernize and to build national and regional identities.

The Spectralities Reader is the first volume to collect the rich scholarship produced in the wake of the "spectral turn" of the early 1990s, which saw ghosts and haunting conjured as compelling analytical and methodological tools across the humanities and social sciences. Surveying the past twenty years from an interdisciplinary and cross-cultural perspective, the Reader displays the wide range of concerns spectrality, in its diverse elaborations, has been called upon to elucidate. The disjunctions produced by globalization, the ungraspable quality of modern media, the convolutions of subject formation (in terms of gender, race, and sexuality), the elusiveness of spaces and places, and the lingering presences and absences of memory and history have all been reconceived by way of the spectral. A primer for the wide readership engaged with cultural interpretations of ghosts and haunting that go beyond the confines of the fictional and supernatural, The Spectralities Reader includes twenty-five groundbreaking texts by prominent contemporary thinkers, from Jacques Derrida and Gayatri Spivak to Avery Gordon and Arjun Appadurai, as well as a general introduction and six section introductions by the editors.